Space Place
Space Place was a popular punk venue during the 1979 to 1982. It was located on 955 W. Fulton - 3 blks. west of Halsted, just north of Lake St. They played all-ages shows every Saturday, which was $3 for three bands and BYOB. It was also a place where bands could rehearse, record or rent out equipment. Space Place was a total community effort and was officially a non-profit organization. The biggest names to play Space Place were Bauhaus and Black Flag.
History as told by Rich Harrington
Space Place was located at 955 W. Fulton Market at Morgan on the Fulton fish market. Down the street, one of the meat packers had a warning sign over the sidewalk 'Watch Out For Swinging Beef'. We appropriated that both as a warning and a motto.
The joint was primarily organized by Rachael Cain (Screamin' Rachel of Screamin' Rachel & Remote) and my brother Mike Harrington who were dating at the time. Mike primarily handled booking the bands and shows. I lived in the joint to provide 24 hour securiity and 24 hour load in/out and ran the day to day operations. I also was the stage manager and ran sound for bands who didn't have their own sound man. John Connors, the guitarist for the Problem Dogs, was officially the Treasurer and also ran the lights. Of course, that only touches the tip of the surface as there were about a hundred people who had a major hand in, not counting the bands. I'll try to run a full name check in another post. Space Place became one of those fabulously synergistic things where everybody was working together to create something bigger than the parts could generate by themselves. Personally, I think the Space Place influence was felt far beyond the joint itself, and maybe it's just hubris but I think that that concentration of MADNESS & ENERGY (to quote Mark Mayer) was the driving force behind the explosion of the whole Chicago scene in 79 to 82.
Part of the building had been an old cold storage warehouse, some with foot thick insulated walls. We partitioned off a lot of the rooms so you could have 20 bands rehearsing at the same time without disturbing each other. Most bands rented private rooms by the month and could set them up the way they wanted and have their friends and fans hang out as needed. We also had a day room for spot rehearsals and bands could rent the show room to work out full blown staging with lights and PA and all.
Eventually, we started doing shows - usually on Saturday nights. We weren't in the liquor distribution business, so all shows were all ages. We had an excellent entertainment lawyer - Jay 'Sue The Bastards' Ross, and he got us legally organized as a 501c3 not-for profit corporation and private club. As a private club, members of legal age could bring their own refreshments. We may have sold pops or something. But basically we were able to do all ages shows and people could still get ripped if they needed to. In order to attend the show, you first had to become a member of the private club, which is why we issued the Membership card that MKB has posted elsewhere on this fabulous site. If you were over 21, we marked your card and you could bring liquor in. If you weren't, basically you found somebody else to bring it in for you (which is how it actually worked out).
We suffered a couple of minor busts, and then one huge one by the Department of Criminal Housing (they were expecting some sort of gang headquarters) that basically shut down the show room and forced us to start doing shows at 112 N. Green. All in all, and looking back from a more mature and responsible viewpoint, it was notihing short of a miracle that we didn't have a E2-type disaster at one of the shows. The concert room was on the third floor of the joint, accessible only by a single narrow winding stairway, and the fire escapes were working buit hideously out of repair. The freight elevator had previously been dismantled by scavengers and was stuck on the third flloor, so bands had to heft the gear up to the showroom and back. There were only 2 toilets in the joint, and we had to constantly patrol to make sure that they didn't revert to primitiveness. We reserved the nicer one on the first floor for the ladies.
When we had a particularly great show, you could feel the floor of the concert room start bouncing up and down - the joint was literally rocking. For the Bauhaus show, the place was hidously oversold and when they busted into 'Telegram Sam' I was sure that we were all going to wind up in a pile of bricks in the basement...
Notable Shows
- March 7, 1981 - Bauhaus, Naked Raygun
- April 11, 1981 - Strike Under, The Effigies, Naked Raygun
- April 23, 1981 - Black Flag, The Effigies, Strike Under, Naked Raygun
- May 29, 1981 - Painter Band, Meaty Buys, Ventilators, Kate Fagan
- July 18, 1981 - Corrosives, Jetsons, Drats
- January 23, 1982 - Silver Abuse
- Summer 1982 - Negative Element, The Anti-Bodies, Juvinile Delinquents
- Unknown Date - The Cunts