Shakefork Records
Shakefork Records was run out of Downer's Grove, IL, and started by Ray Kolenko in 1990. Most of the bands on the label would fall under the "emo-core" tag. Sometime in 1991, Ray handed control of the label over to Scott Broadhurst, aka Scott Snot, of the band Friction. Scott continued to run the label until he moved to California to attend pro-wrestling school, after which both Friction and Shakefork ceased to exist. The label's last release, a split between Friction and Cap'n Jazz, was delayed by Scott's move. Rumor had it that Kolenko was unhappy about how the label ended and had given the name to some kids in Wisconsin to continue it, but nothing ever surfaced, so this was probably nothing more that idle talk. Broadhurst contemplated resurrecting the label to put out a Friction discography, but the project was ultimately handled by a different label.
Releases
- Manneqvin Hand - Jow 7" (SF #1 1990)
- Target - Going Up 7" (SF #2 1990)
- On gold vinyl
- Ivy League - Gub 7" (SF #3 1990)
- On red vinyl
- Weedeater - Get The Job Done 7" (SF #4 1990)
- Gauge - "Carving Belt" b/w "Midwest) (SF #? 1991)
- Various Artists - No Punks In The Pit 7" (SF #5 1991)
- Features Ivy League, Dickey Mo, Billingsgate, and Manneqvin Hand.
- Various Artists - Decline Of The Western Suburbs 7" (SF #6 1991)
- Features Time Out, Apocalypse Hoboken, Target, Slaphappy, and Weedeater.
- Gauge - Blank 7" (SF #7 1992)
- On blue vinyl
- Friction - Makeshift 7" (SF #8 1992)
- On aqua swirl vinyl
- Various Artists - It's A Punk Thing, You Wouldn't Understand LP (SF #9 1993)
- Features Gauge, Bollweevils, Smoking Popes, Cap'n Jazz, Friction, Screeching Weasel, Heel, and Angerhouse.
- Some copies feature Shakefork's address crossed out with black marker. This was done presumably after Scott Broadhurst moved.
- Friction/Cap'n Jazz - Nothing Dies With Blue Skies split 7" (SF #10 1994?)
- Features a San Francisco PO Box as the label's address.
Notes
- No Punks In The Pit and Decline Of The Western Suburbs were meant to be released together, but the label did not have the money to pay for the pressing of an LP. Interestingly, the two comps feature the singers of Ivy League and Target on the cover of opposite records in which their bands appear.