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NGA JIWA was essentiially [[Scott Harris]]'s project, but many of his players were drawn from some of the most interesting bands in Chicago Punk.  Harris would spend well more than 18 months between performances making by hand the instruments.  Harris built instruments using microtonal voicing in a number of forms.  Examples include:  
NGA JIWA was essentially [[Scott Harris]]'s project, but many of his players were drawn from some of the most interesting bands in Chicago Punk.  Harris would spend well more than 18 months between performances making by hand the instruments.  Harris built instruments using micro-tonal voicing in a number of forms.  Examples include:  


* Hammered Dulcimer-like instruments, played with hand carved wooden beaters or picks
* Hammered Dulcimer-like instruments, played with hand carved wooden beaters or picks
* a xylophone made of carefully cut industrial iron tubing, played with orchestra mallets
* a xylophone made of carefully cut industrial iron tubing, played with orchestra mallets
* a vertical rack of many small tuned drums, played with standard drum sticks
* a vertical rack of many small tuned drums, played with standard drum sticks
* long horns 15 feet or more in lengh, played like a bugle
* long horns 15 feet or more in length, played like a bugle
* finely made concert-marimba-like instrument with robustly tuned resonators.   
* finely made concert-marimba-like instrument with robustly tuned resonators.   
* various stringed instruments
* various stringed instruments
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But there were more industrial instruments as well such as;
But there were more industrial instruments as well such as;


* "Tank Drums" - 40 gallon fuel tanks suspended with bungee cables on a large metal frame, played with tympany beaters, metal posts and metal rods.
* "Tank Drums" - 40 gallon fuel tanks suspended with bun-gee cables on a large metal frame, played with tympani beaters, metal posts and metal rods.
* "Sheet Gong" - a single 7' by 4' piece of steel plate similarly mounted n a frame, again played with tympany beaters, metal posts and metal rods.
* "Sheet Gong" - a single 7' by 4' piece of steel plate similarly mounted n a frame, again played with tympani beaters, metal posts and metal rods.
* "Water Drum - where a larger tub is half filled wih water, and then an upside down large bowl is floated on the water, and pressed into the water with varying depths, while playing a single stick rhytm with the other hand.  This motion can be modulated to make the drum "ralk".  At one point near the end of the performance two drummers play fast rolls on the outer tub without the top bowl drum, and the water sprays upward.  This was a nice visual effect in the limited lighting (all by candle).
* "Water Drum - where a larger tub is half filled with water, and then an upside down large bowl is floated on the water, and pressed into the water with varying depths, while playing a single stick rhythm with the other hand.  This motion can be modulated to make the drum "talk".  At one point near the end of the performance two drummers play fast rolls on the outer tub without the top bowl drum, and the water sprays upward.  This was a nice visual effect in the limited lighting (all by candle).


All of the equipment was either contructed or found by Harris.
All of the equipment was either constructed or found by Harris.


Earliar Harris was a visual artist, and his skills in this regard were evident in the finely designed posters he made.
Earlier Harris was a visual artist, and his skills in this regard were evident in the finely designed posters he made.


There were only 2 different shows, with one performance for the first piece, and two performances on one day for the second piece.
There were only 2 different shows, with one performance for the first piece, and two performances on one day for the second piece.




Here are the entries extracted from  [[Michael Zerang]]'s Founder and Artistic Director of the Links Hall Performance Series.
Here are the entries extracted from  [[Michael Zeroing]]'s Founder and Artistic Director of the Links Hall Performance Series.


11/23/85 - music - Nga Jiwa Sextet (Invented Instrument Ensemble)
11/23/85 - music - Nag Aiwa Sextet (Invented Instrument Ensemble)


Builder/Composer Scott Harris (AKA Mousetrap and formerly of [[Terminal Beach]] and A [[Mason in Ur]]) . While Scott built all the instruments and composed the music, many Chicago punk band players participated at one time or another.  Bands drawn from include: Da. Terminal Beach, Silent Language, Monads, ???
Builder/Composer Scott Harris (AKA Mousetrap and formerly of [[Terminal Beach]] and A [[Mason in Ur]]) . While Scott built all the instruments and composed the music, many Chicago punk band players participated at one time or another.  Bands drawn from include: Da. Terminal Beach, Silent Language, Monads, ???


More like music-baased performance art, the concert was actually a ritual influenced by gamelan, harry partch, industrial music, and Tibetian sky burial.  Using microtonal pitch structures, and rhythms based on odd numbers of beats, the music was both primitive and experimental.
More like music-based performance art, the concert was actually a ritual influenced by germinal, harry partch, industrial music, and Tibetan sky burial.  Using micro-tonal pitch structures, and rhythms based on odd numbers of beats, the music was both primitive and experimental.


  == Members ==
  == Members ==
Line 40: Line 40:
* [[Philip Galanter]] - Instrumentalist
* [[Philip Galanter]] - Instrumentalist


9/26/87 - music - Nga Jiwa Ensemble Plays The New Musical Instruments of Lang Darma
9/26/87 - music - Nag Aiwa Ensemble Plays The New Musical Instruments of Lang Darma


This program for this performance read "ISU TEH BAKAN HNORI" and then "A creation myth in seven parts".  The seven parts are "coming of the thunder spirit", "the flood", "rise of the seven eyes clan", "war of evil spirits", "head-takers dance", "the second flood", "prayer wheels"
This program for this performance read "ISU TEH BAKAN HNORI" and then "A creation myth in seven parts".  The seven parts are "coming of the thunder spirit", "the flood", "rise of the seven eyes clan", "war of evil spirits", "head-takers dance", "the second flood", "prayer wheels"
Line 52: Line 52:
* [[Jack Kontney]] - Instrumentalist
* [[Jack Kontney]] - Instrumentalist
* [[Philip Galanter]] - Instrumentalist
* [[Philip Galanter]] - Instrumentalist


== External Links ==
== External Links ==
Line 61: Line 59:


== Links ==
== Links ==


[[Category:Bands]]
[[Category:Bands]]
[[Category:Dave Thomas]]
[[Category:Dave Thomas]]

Revision as of 08:10, 3 June 2006

NGA JIWA was essentially Scott Harris's project, but many of his players were drawn from some of the most interesting bands in Chicago Punk. Harris would spend well more than 18 months between performances making by hand the instruments. Harris built instruments using micro-tonal voicing in a number of forms. Examples include:

  • Hammered Dulcimer-like instruments, played with hand carved wooden beaters or picks
  • a xylophone made of carefully cut industrial iron tubing, played with orchestra mallets
  • a vertical rack of many small tuned drums, played with standard drum sticks
  • long horns 15 feet or more in length, played like a bugle
  • finely made concert-marimba-like instrument with robustly tuned resonators.
  • various stringed instruments

But there were more industrial instruments as well such as;

  • "Tank Drums" - 40 gallon fuel tanks suspended with bun-gee cables on a large metal frame, played with tympani beaters, metal posts and metal rods.
  • "Sheet Gong" - a single 7' by 4' piece of steel plate similarly mounted n a frame, again played with tympani beaters, metal posts and metal rods.
  • "Water Drum - where a larger tub is half filled with water, and then an upside down large bowl is floated on the water, and pressed into the water with varying depths, while playing a single stick rhythm with the other hand. This motion can be modulated to make the drum "talk". At one point near the end of the performance two drummers play fast rolls on the outer tub without the top bowl drum, and the water sprays upward. This was a nice visual effect in the limited lighting (all by candle).

All of the equipment was either constructed or found by Harris.

Earlier Harris was a visual artist, and his skills in this regard were evident in the finely designed posters he made.

There were only 2 different shows, with one performance for the first piece, and two performances on one day for the second piece.


Here are the entries extracted from Michael Zeroing's Founder and Artistic Director of the Links Hall Performance Series.

11/23/85 - music - Nag Aiwa Sextet (Invented Instrument Ensemble)

Builder/Composer Scott Harris (AKA Mousetrap and formerly of Terminal Beach and A Mason in Ur) . While Scott built all the instruments and composed the music, many Chicago punk band players participated at one time or another. Bands drawn from include: Da. Terminal Beach, Silent Language, Monads, ???

More like music-based performance art, the concert was actually a ritual influenced by germinal, harry partch, industrial music, and Tibetan sky burial. Using micro-tonal pitch structures, and rhythms based on odd numbers of beats, the music was both primitive and experimental. 

== Members ==

(Member list is tentative with info subject to change)

9/26/87 - music - Nag Aiwa Ensemble Plays The New Musical Instruments of Lang Darma

This program for this performance read "ISU TEH BAKAN HNORI" and then "A creation myth in seven parts". The seven parts are "coming of the thunder spirit", "the flood", "rise of the seven eyes clan", "war of evil spirits", "head-takers dance", "the second flood", "prayer wheels"

Members

External Links

Links

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