<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://punkdatabase.com/w/index.php?action=history&amp;feed=atom&amp;title=Violent_Feedback</id>
	<title>Violent Feedback - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://punkdatabase.com/w/index.php?action=history&amp;feed=atom&amp;title=Violent_Feedback"/>
	<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;action=history"/>
	<updated>2026-05-13T12:02:21Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.8</generator>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=6565&amp;oldid=prev</id>
		<title>Vincent thompson at 07:54, 19 October 2013</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=6565&amp;oldid=prev"/>
		<updated>2013-10-19T07:54:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:54, 19 October 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Early jams were heavily influenced by Marijuana, alcohol (especially Jim Beam whiskey)and a prescription respiratory drug called MARAX. Musical influences included everything from Alice Cooper to English Oi bands. Killing Joke, The Lewd, Dead Kennedys &amp;quot;This is Boston Not LA&amp;quot; &amp;quot;Punk and Disorderly&amp;quot; Midwest Hardcore compilations such as &amp;quot;Lung Cookies&amp;quot; and &amp;quot;The Middle of America&amp;quot; Sex Gang Children, Ryuichi Sakamoto, Bauhaus, Joy Division and others.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Early jams were heavily influenced by Marijuana, alcohol (especially Jim Beam whiskey)and a prescription respiratory drug called MARAX. Musical influences included everything from Alice Cooper to English Oi bands. Killing Joke, The Lewd, Dead Kennedys &amp;quot;This is Boston Not LA&amp;quot; &amp;quot;Punk and Disorderly&amp;quot; Midwest Hardcore compilations such as &amp;quot;Lung Cookies&amp;quot; and &amp;quot;The Middle of America&amp;quot; Sex Gang Children, Ryuichi Sakamoto, Bauhaus, Joy Division and others.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The remaining members of Violent Feedback formed a new group around 1984 called &quot;Scarred for Life&quot; with Vince Thompson taking &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;over vocals and lead &lt;/del&gt;guitar. They bought an old mixer for the first time from Babs and were heavily influenced by the California band &quot;The adolescents&quot; covering at least two of their songs. Several songs from this period just before the formation of &quot;Scarred for Life&quot; appear on the later expanded version of &quot;A cure to Sanity&quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The remaining members of Violent Feedback formed a new group around 1984 called &quot;Scarred for Life&quot; with Vince Thompson taking &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;on &lt;/ins&gt;guitar. They bought an old mixer for the first time from Babs and were heavily influenced by the California band &quot;The adolescents&quot; covering at least two of their songs. Several songs from this period just before the formation of &quot;Scarred for Life&quot; appear on the later expanded version of &quot;A cure to Sanity&quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Bands]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Bands]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Vincent thompson</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=6564&amp;oldid=prev</id>
		<title>Vincent thompson at 07:51, 19 October 2013</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=6564&amp;oldid=prev"/>
		<updated>2013-10-19T07:51:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:51, 19 October 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hardcore noise outfit featuring pioneering death metal lyrics coupled with hardcore thrash and Link Wray riffing courtesy of Jeff Warble (Jeff Kerr). Songs include &quot;John Gacy,&quot; &quot;Sharon Tate,&quot; and also anthemic blasts like &quot;1986.&quot; Tom Papanicholas-Guitar Vince &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Esposida&lt;/del&gt;-guitar Christian Albrecht-guitar Babs Novak-Guitar John Malley-Guitar Eric Sladek-guitar Loren St.Clair-bass  Lou Plesha - Vocals, Jeff (Warble) Kerr - Guitar, drums - Peter Zervakis/Paul Jeschke. 1979 - ? Paul also picked up the bass when he was not doing a double drum set opposite Pete.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hardcore noise outfit featuring pioneering death metal lyrics coupled with hardcore thrash and Link Wray riffing courtesy of Jeff Warble (Jeff Kerr). Songs include &quot;John Gacy,&quot; &quot;Sharon Tate,&quot; and also anthemic blasts like &quot;1986.&quot; Tom Papanicholas-Guitar Vince &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Thompson&lt;/ins&gt;-guitar Christian Albrecht-guitar Babs Novak-Guitar John Malley-Guitar Eric Sladek-guitar Loren St.Clair-bass  Lou Plesha - Vocals, Jeff (Warble) Kerr - Guitar, drums - Peter Zervakis/Paul Jeschke. 1979 - ? Paul also picked up the bass when he was not doing a double drum set opposite Pete.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Over a period of at least five years , a number of players were involved with the Violent Feedback project. The most standardized set was in the later period where Tom Papanicholas developed a song list and organized the recording of the cassette only release of &amp;quot;A Cure to Sanity&amp;quot;. Dean Hacker of the band SMOKE TAIL did the cover layout and Artwork, which featured a clandestine photo of an execution in an electric chair.Large parts of this release were recorded by Jack Hammond at Fatal  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Over a period of at least five years , a number of players were involved with the Violent Feedback project. The most standardized set was in the later period where Tom Papanicholas developed a song list and organized the recording of the cassette only release of &amp;quot;A Cure to Sanity&amp;quot;. Dean Hacker of the band SMOKE TAIL did the cover layout and Artwork, which featured a clandestine photo of an execution in an electric chair.Large parts of this release were recorded by Jack Hammond at Fatal  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Vincent thompson</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=6506&amp;oldid=prev</id>
		<title>Gantry: bands</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=6506&amp;oldid=prev"/>
		<updated>2013-05-29T04:04:55Z</updated>

		<summary type="html">&lt;p&gt;bands&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:04, 29 May 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot;&gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The remaining members of Violent Feedback formed a new group around 1984 called &amp;quot;Scarred for Life&amp;quot; with Vince Thompson taking over vocals and lead guitar. They bought an old mixer for the first time from Babs and were heavily influenced by the California band &amp;quot;The adolescents&amp;quot; covering at least two of their songs. Several songs from this period just before the formation of &amp;quot;Scarred for Life&amp;quot; appear on the later expanded version of &amp;quot;A cure to Sanity&amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The remaining members of Violent Feedback formed a new group around 1984 called &amp;quot;Scarred for Life&amp;quot; with Vince Thompson taking over vocals and lead guitar. They bought an old mixer for the first time from Babs and were heavily influenced by the California band &amp;quot;The adolescents&amp;quot; covering at least two of their songs. Several songs from this period just before the formation of &amp;quot;Scarred for Life&amp;quot; appear on the later expanded version of &amp;quot;A cure to Sanity&amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Bands]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gantry</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=6505&amp;oldid=prev</id>
		<title>Gantry: Cleaned up formatting</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=6505&amp;oldid=prev"/>
		<updated>2013-05-29T04:04:33Z</updated>

		<summary type="html">&lt;p&gt;Cleaned up formatting&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:04, 29 May 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hardcore noise outfit featuring pioneering death metal lyrics coupled with hardcore thrash and Link Wray riffing courtesy of Jeff Warble (Jeff Kerr). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sngs &lt;/del&gt;include &quot;John Gacy,&quot; &quot;Sharon Tate,&quot; and also anthemic blasts like &quot;1986.&quot; Tom Papanicholas-Guitar Vince Esposida-guitar Christian Albrecht-guitar Babs Novak-Guitar John Malley-Guitar Eric Sladek-guitar Loren St.Clair-bass  Lou Plesha - Vocals, Jeff (Warble) Kerr - Guitar, drums - Peter Zervakis/Paul Jeschke. 1979 - ? Paul also picked up the bass when he was not doing a double drum set opposite Pete.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hardcore noise outfit featuring pioneering death metal lyrics coupled with hardcore thrash and Link Wray riffing courtesy of Jeff Warble (Jeff Kerr). &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Songs &lt;/ins&gt;include &quot;John Gacy,&quot; &quot;Sharon Tate,&quot; and also anthemic blasts like &quot;1986.&quot; Tom Papanicholas-Guitar Vince Esposida-guitar Christian Albrecht-guitar Babs Novak-Guitar John Malley-Guitar Eric Sladek-guitar Loren St.Clair-bass  Lou Plesha - Vocals, Jeff (Warble) Kerr - Guitar, drums - Peter Zervakis/Paul Jeschke. 1979 - ? Paul also picked up the bass when he was not doing a double drum set opposite Pete.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Over a period of at least five years , a number of players were involved with the Violent Feedback project. The most standardized set was in the later period where Tom Papanicholas developed a song list and organized the recording of the cassette only release of &quot;A Cure to Sanity&quot;. Dean Hacker of the band SMOKE TAIL did the cover layout and Artwork, which featured a clandestine photo of an execution in an electric chair.Large parts of this release were recorded by Jack Hammond at Fatal Beauty studios in Lombard Illinois in the early eighties.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  A remixed version which included early material from the Zervakis basement studios was released in limit amounts by Tom in 1998. I would draw parallels to the Band PIGFACE who always featured different musicians on their albums and at their live shows.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Over a period of at least five years , a number of players were involved with the Violent Feedback project. The most standardized set was in the later period where Tom Papanicholas developed a song list and organized the recording of the cassette only release of &quot;A Cure to Sanity&quot;. Dean Hacker of the band SMOKE TAIL did the cover layout and Artwork, which featured a clandestine photo of an execution in an electric chair.Large parts of this release were recorded by Jack Hammond at Fatal  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  There were three main performances by VF outside of the studio. Once at the Glen Ellyn &quot;Battle of the Bands&quot; and another gig played at the Cubby Bear Lounge across from Wrigley Field in Chicago.And a third chaotic set played at a private party in South Glen Ellyn. This was around the period of 1982-1983.Neither set was very good, due to the difficulties of mixing and balancing in an unfamiliar environment.Plus the band performed without a sound mixer, making the adjustment of sound levels very difficult and subject to the acoustics of the performance area.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Beauty studios in Lombard Illinois in the early eighties.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  Early jams were heavily influenced by Marijuana, alcohol (especially Jim Beam whiskey)and a prescription respiratory drug called MARAX. Musical influences included everything from Alice Cooper to English Oi bands. Killing Joke, The Lewd, Dead Kennedys &quot;This is Boston Not LA&quot; &quot;Punk and Disorderly&quot; Midwest Hardcore compilations such as &quot;Lung Cookies&quot; and &quot;The Middle of America&quot; Sex Gang Children, Ryuichi Sakamoto, Bauhaus, Joy Division and others.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  The remaining members of Violent Feedback formed a new group around 1984 called &quot;Scarred for Life&quot; with Vince Thompson taking over vocals and lead guitar. They bought an old mixer for the first time from Babs and were heavily influenced by the California band &quot;The adolescents&quot; covering at least two of their songs. Several songs from this period just before the formation of &quot;Scarred for Life&quot; appear on the later expanded version of &quot;A cure to Sanity&quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A remixed version which included early material from the Zervakis basement studios was released in limit amounts by Tom in 1998. I would draw parallels to the Band PIGFACE who always featured different musicians on their albums and at their live shows.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There were three main performances by VF outside of the studio. Once at the Glen Ellyn &quot;Battle of the Bands&quot; and another gig played at the Cubby Bear Lounge across from Wrigley Field in Chicago.And a third chaotic set played at a private party in South Glen Ellyn. This was around the period of 1982-1983.Neither set was very good, due to the difficulties of mixing and balancing in an unfamiliar environment.Plus the band performed without a sound mixer, making the adjustment of sound levels very difficult and subject to the acoustics of the performance area.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Early jams were heavily influenced by Marijuana, alcohol (especially Jim Beam whiskey)and a prescription respiratory drug called MARAX. Musical influences included everything from Alice Cooper to English Oi bands. Killing Joke, The Lewd, Dead Kennedys &quot;This is Boston Not LA&quot; &quot;Punk and Disorderly&quot; Midwest Hardcore compilations such as &quot;Lung Cookies&quot; and &quot;The Middle of America&quot; Sex Gang Children, Ryuichi Sakamoto, Bauhaus, Joy Division and others.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The remaining members of Violent Feedback formed a new group around 1984 called &quot;Scarred for Life&quot; with Vince Thompson taking over vocals and lead guitar. They bought an old mixer for the first time from Babs and were heavily influenced by the California band &quot;The adolescents&quot; covering at least two of their songs. Several songs from this period just before the formation of &quot;Scarred for Life&quot; appear on the later expanded version of &quot;A cure to Sanity&quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gantry</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=6398&amp;oldid=prev</id>
		<title>Dr.X at 14:32, 3 April 2012</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=6398&amp;oldid=prev"/>
		<updated>2012-04-03T14:32:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:32, 3 April 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hardcore noise outfit featuring pioneering death metal lyrics coupled with hardcore thrash and Link Wray riffing courtesy of Jeff Warble (Jeff Kerr). Sngs include &quot;John Gacy,&quot; &quot;Sharon Tate,&quot; and also anthemic blasts like &quot;1986.&quot; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Known for substance abuse and the fact that all of the members had been in jail at one time or another&lt;/del&gt;.  Lou Plesha - Vocals, Jeff (Warble) Kerr - Guitar, drums - Peter/Paul. 1982 - &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;?&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hardcore noise outfit featuring pioneering death metal lyrics coupled with hardcore thrash and Link Wray riffing courtesy of Jeff Warble (Jeff Kerr). Sngs include &quot;John Gacy,&quot; &quot;Sharon Tate,&quot; and also anthemic blasts like &quot;1986.&quot; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tom Papanicholas-Guitar Vince Esposida-guitar Christian Albrecht-guitar Babs Novak-Guitar John Malley-Guitar Eric Sladek-guitar Loren St&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Clair-bass &lt;/ins&gt; Lou Plesha - Vocals, Jeff (Warble) Kerr - Guitar, drums - Peter &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Zervakis&lt;/ins&gt;/Paul &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jeschke. 1979 - ? Paul also picked up the bass when he was not doing a double drum set opposite Pete.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; Over a period of at least five years , a number of players were involved with the Violent Feedback project. The most standardized set was in the later period where Tom Papanicholas developed a song list and organized the recording of the cassette only release of &quot;A Cure to Sanity&quot;. Dean Hacker of the band SMOKE TAIL did the cover layout and Artwork, which featured a clandestine photo of an execution in an electric chair.Large parts of this release were recorded by Jack Hammond at Fatal Beauty studios in Lombard Illinois in the early eighties.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; A remixed version which included early material from the Zervakis basement studios was released in limit amounts by Tom in 1998. I would draw parallels to the Band PIGFACE who always featured different musicians on their albums and at their live shows.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; There were three main performances by VF outside of the studio. Once at the Glen Ellyn &quot;Battle of the Bands&quot; and another gig played at the Cubby Bear Lounge across from Wrigley Field in Chicago&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;And a third chaotic set played at a private party in South Glen Ellyn. This was around the period of &lt;/ins&gt;1982-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1983.Neither set was very good, due to the difficulties of mixing and balancing in an unfamiliar environment.Plus the band performed without a sound mixer, making the adjustment of sound levels very difficult and subject to the acoustics of the performance area.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; Early jams were heavily influenced by Marijuana, alcohol (especially Jim Beam whiskey)and a prescription respiratory drug called MARAX. Musical influences included everything from Alice Cooper to English Oi bands. Killing Joke, The Lewd, Dead Kennedys &quot;This is Boston Not LA&quot; &quot;Punk and Disorderly&quot; Midwest Hardcore compilations such as &quot;Lung Cookies&quot; and &quot;The Middle of America&quot; Sex Gang Children, Ryuichi Sakamoto, Bauhaus, Joy Division and others.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; The remaining members of Violent Feedback formed a new group around 1984 called &quot;Scarred for Life&quot; with Vince Thompson taking over vocals and lead guitar. They bought an old mixer for the first time from Babs and were heavily influenced by the California band &quot;The adolescents&quot; covering at least two of their songs. Several songs from this period just before the formation of &quot;Scarred for Life&quot; appear on the later expanded version of &quot;A cure to Sanity&quot;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Dr.X</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=5427&amp;oldid=prev</id>
		<title>BDB at 18:10, 16 January 2009</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=5427&amp;oldid=prev"/>
		<updated>2009-01-16T18:10:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:10, 16 January 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hardcore noise outfit featuring pioneering death metal lyrics coupled with hardcore thrash and Link Wray riffing courtesy of Jeff Warble (Jeff Kerr). Sngs include &quot;John Gacy,&quot; &quot;Sharon Tate,&quot; and also anthemic blasts like &quot;1986.&quot; Known for substance abuse and the fact that all of the members had been in jail at one time or another.  Lou Plesha - Vocals, Jeff (Warble) Kerr - Guitar, drums - Peter/Paul.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hardcore noise outfit featuring pioneering death metal lyrics coupled with hardcore thrash and Link Wray riffing courtesy of Jeff Warble (Jeff Kerr). Sngs include &quot;John Gacy,&quot; &quot;Sharon Tate,&quot; and also anthemic blasts like &quot;1986.&quot; Known for substance abuse and the fact that all of the members had been in jail at one time or another.  Lou Plesha - Vocals, Jeff (Warble) Kerr - Guitar, drums - Peter/Paul. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1982 - ?&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>BDB</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=5426&amp;oldid=prev</id>
		<title>BDB at 18:08, 16 January 2009</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=5426&amp;oldid=prev"/>
		<updated>2009-01-16T18:08:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Hardcore noise outfit featuring pioneering death metal lyrics coupled with hardcore thrash and Link Wray riffing courtesy of Jeff Warble (Jeff Kerr). Sngs include &amp;quot;John Gacy,&amp;quot; &amp;quot;Sharon Tate,&amp;quot; and also anthemic blasts like &amp;quot;1986.&amp;quot; Known for substance abuse and the fact that all of the members had been in jail at one time or another.  Lou Plesha - Vocals, Jeff (Warble) Kerr - Guitar, drums - Peter/Paul.&lt;/div&gt;</summary>
		<author><name>BDB</name></author>
	</entry>
</feed>