<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://punkdatabase.com/w/index.php?action=history&amp;feed=atom&amp;title=The_Jesus_Lizard</id>
	<title>The Jesus Lizard - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://punkdatabase.com/w/index.php?action=history&amp;feed=atom&amp;title=The_Jesus_Lizard"/>
	<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;action=history"/>
	<updated>2026-04-26T12:48:23Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.8</generator>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=9041&amp;oldid=prev</id>
		<title>Patrick at 18:15, 28 August 2025</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=9041&amp;oldid=prev"/>
		<updated>2025-08-28T18:15:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:15, 28 August 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot;&gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  Mac McNeilly - Drums (1989-1996, 2008-2010, 2017-Present)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  Mac McNeilly - Drums (1989-1996, 2008-2010, 2017-Present)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  Jim Kimball - Drums (1996-1998)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  Jim Kimball - Drums (1996-1998&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;) (R.I.P. 2025&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  Brendan Murphy - Drums (1998-1999)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  Brendan Murphy - Drums (1998-1999)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l74&quot;&gt;Line 74:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 74:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== External links ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== External links ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://www.facebook.com/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;thejesuslizardmusic/&lt;/del&gt;?&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fref&lt;/del&gt;=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ts &lt;/del&gt;Facebook page]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://www.facebook.com/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;profile.php&lt;/ins&gt;?&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;id&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;100045194903299 &lt;/ins&gt;Facebook page]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://www.discogs.com/artist/282081-The-Jesus-Lizard Discogs page]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://www.discogs.com/artist/282081-The-Jesus-Lizard Discogs page]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://myspace.com/thejesuslizardpage MySpage profile]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://myspace.com/thejesuslizardpage MySpage profile]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Patrick</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=9035&amp;oldid=prev</id>
		<title>Patrick: /* Discography */</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=9035&amp;oldid=prev"/>
		<updated>2025-03-11T18:05:04Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Discography&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:05, 11 March 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l70&quot;&gt;Line 70:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 70:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  &amp;quot;Westside&amp;quot; digital single (Ipecac Recordings, 2025)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  &amp;quot;Westside&amp;quot; digital single (Ipecac Recordings, 2025)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*  &quot;I&#039;m Tired of Being Your Mother&quot; digital single (Ipecac Recordings, 2025)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== External links ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== External links ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Patrick</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=9033&amp;oldid=prev</id>
		<title>Patrick: /* Discography */</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=9033&amp;oldid=prev"/>
		<updated>2025-02-18T19:35:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Discography&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:35, 18 February 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l66&quot;&gt;Line 66:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 66:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  &amp;#039;&amp;#039;&amp;#039;Rack&amp;#039;&amp;#039;&amp;#039; LP (Ipecac Recordings, 2024)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  &amp;#039;&amp;#039;&amp;#039;Rack&amp;#039;&amp;#039;&amp;#039; LP (Ipecac Recordings, 2024)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*  &quot;The Cost of Living&quot; digital single (Ipecac Recordings, 2024)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*  &quot;Westside&quot; digital single (Ipecac Recordings, 2025)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== External links ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== External links ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Patrick</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=9029&amp;oldid=prev</id>
		<title>Patrick: /* History */</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=9029&amp;oldid=prev"/>
		<updated>2025-01-07T19:57:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;History&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:57, 7 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Jesus Lizard was formed in Austin, Texas by guitarist Duane Denison, vocalist David Yow, and bassist David Wm. Sims.  Sims and Yow had previously been in the band Scratch Acid while Denison had performed with Cargo Cult.  Sims and Yow soon moved to Chicago when Sims joined [[Rapeman]], which featured [[Big Black]]&#039;s [[Steve Albini]] and former Scratch Acid drummer Rey Washam.  Denison soon joined Sims and Yow in Chicago.  Rapeman split in [[1989]] and the Jesus Lizard would release their first EP, &#039;&#039;&#039;[[Pure]]&#039;&#039;&#039;, on Touch and Go Records that same year.  The EP, recorded by Steve &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Albimi&lt;/del&gt;, feature Yow, Dennison, and Sims along with a drum machine.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Jesus Lizard was formed in Austin, Texas by guitarist Duane Denison, vocalist David Yow, and bassist David Wm. Sims.  Sims and Yow had previously been in the band Scratch Acid while Denison had performed with Cargo Cult.  Sims and Yow soon moved to Chicago when Sims joined [[Rapeman]], which featured [[Big Black]]&#039;s [[Steve Albini]] and former Scratch Acid drummer Rey Washam.  Denison soon joined Sims and Yow in Chicago.  Rapeman split in [[1989]] and the Jesus Lizard would release their first EP, &#039;&#039;&#039;[[Pure]]&#039;&#039;&#039;, on Touch and Go Records that same year.  The EP, recorded by Steve &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Albini&lt;/ins&gt;, feature Yow, Dennison, and Sims along with a drum machine.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the release of &#039;&#039;&#039;Pure&#039;&#039;&#039;, the band contacted Atlanta-based drummer Mac McNeilly (previously of the band 86) to join them&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/del&gt;.  This line-up became the definitive Jesus Lizard line-up.  The band built a reputation for their intense live shows and ended up releasing four LPs and string of singles (including a split 7&quot; with Nirvana) for Touch and Go before signing a three album deal with Capitol Records in the mid &#039;90s.  Their deal with a major label caused a rift between the band and Steve Albini, who had, to that point, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;recoreded &lt;/del&gt;the bulk of the band&#039;s releases.  Their major label debut, [[1996]]&#039;s &#039;&#039;&#039;[[Shot]]&#039;&#039;&#039; received mixed reviews and was the last to feature Mac McNeilly, who decided to leave the band to spend more time with his family. McNeilly suggested Jim Kimball to be his replacement.  Kimball, at the time, was playing with Denison in their jazz project The Denison-Kimball Trio (actually a duo) and had previously been a member of the Michigan-based bands Laughing Hyenas and Mule, (both members of the Touch and Go/[[Quarterstick]] roster).  Kimball was featured the band&#039;s next album, &#039;&#039;&#039;[[Blue]]&#039;&#039;&#039;, which was released in [[1998]] and was produced by Andy Gill (of Gang of Four).  After the release, Kimball was fired for personal reasons (in interviews years after the fact, Yow frequently referred to the drummer as &quot;an asshole&quot;) and was replaced by Brendan Murphy.  Neither &#039;&#039;&#039;Shot&#039;&#039;&#039; nor &#039;&#039;&#039;Blue&#039;&#039;&#039; found large audiences and Capitol released the Jesus Lizard from their contract sometime in [[1999]].  The band called it quits shortly afterwards.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the release of &#039;&#039;&#039;Pure&#039;&#039;&#039;, the band contacted Atlanta-based drummer Mac McNeilly (previously of the band 86) to join them.  This line-up became the definitive Jesus Lizard line-up.  The band built a reputation for their intense live shows and ended up releasing four LPs and string of singles (including a split 7&quot; with Nirvana) for Touch and Go before signing a three album deal with Capitol Records in the mid &#039;90s.  Their deal with a major label caused a rift between the band and Steve Albini, who had, to that point, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;recorded &lt;/ins&gt;the bulk of the band&#039;s releases.  Their major label debut, [[1996]]&#039;s &#039;&#039;&#039;[[Shot]]&#039;&#039;&#039; received mixed reviews and was the last to feature Mac McNeilly, who decided to leave the band to spend more time with his family. McNeilly suggested Jim Kimball to be his replacement.  Kimball, at the time, was playing with Denison in their jazz project The Denison-Kimball Trio (actually a duo) and had previously been a member of the Michigan-based bands Laughing Hyenas and Mule, (both members of the Touch and Go/[[Quarterstick]] roster).  Kimball was featured the band&#039;s next album, &#039;&#039;&#039;[[Blue]]&#039;&#039;&#039;, which was released in [[1998]] and was produced by Andy Gill (of Gang of Four).  After the release, Kimball was fired for personal reasons (in interviews years after the fact, Yow frequently referred to the drummer as &quot;an asshole&quot;) and was replaced by Brendan Murphy.  Neither &#039;&#039;&#039;Shot&#039;&#039;&#039; nor &#039;&#039;&#039;Blue&#039;&#039;&#039; found large audiences and Capitol released the Jesus Lizard from their contract sometime in [[1999]].  The band called it quits shortly afterwards.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Following the split, the band members went their separate ways, relocating to different cities (Yow to Los Angeles and, later, Seattle, Sims to New York, Denison to Nashville) and different musical acts.  The most prominent, musically, was Duane Denison, who toured as guitarist for Hank Williams III and formed Tomahawk with Faith No More singer Mike Patton.  The Jesus Lizard turned down offers to reunite, including an appearance at Touch and Go Records&amp;#039; [[2006]] 25th Anniversary, citing the fact that they would not reunite without McNeilly, with whom the other members had apparently lost touch.  The situation was clearly rectified because by 2008 the band, including McNeilly, started playing a series of live shows.  This continued until 2010.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Following the split, the band members went their separate ways, relocating to different cities (Yow to Los Angeles and, later, Seattle, Sims to New York, Denison to Nashville) and different musical acts.  The most prominent, musically, was Duane Denison, who toured as guitarist for Hank Williams III and formed Tomahawk with Faith No More singer Mike Patton.  The Jesus Lizard turned down offers to reunite, including an appearance at Touch and Go Records&amp;#039; [[2006]] 25th Anniversary, citing the fact that they would not reunite without McNeilly, with whom the other members had apparently lost touch.  The situation was clearly rectified because by 2008 the band, including McNeilly, started playing a series of live shows.  This continued until 2010.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in &lt;/del&gt;2017, the group reunited again, continuing to sporadically tour over the following years.  In 2024, the band announced that Ipecac Recordings (the label co-founded by Mike Patton and home of Tomahawk) would be releasing &#039;&#039;&#039;[[Rack]]&#039;&#039;&#039;, the first new Jesus Lizard studio album since 1998&#039;s &#039;&#039;&#039;Blue&#039;&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In &lt;/ins&gt;2017, the group reunited again, continuing to sporadically tour over the following years.  In 2024, the band announced that Ipecac Recordings (the label co-founded by Mike Patton and home of Tomahawk) would be releasing &#039;&#039;&#039;[[Rack]]&#039;&#039;&#039;, the first new Jesus Lizard studio album since 1998&#039;s &#039;&#039;&#039;Blue&#039;&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Band Members==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Band Members==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Patrick</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=9006&amp;oldid=prev</id>
		<title>Patrick at 21:37, 11 July 2024</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=9006&amp;oldid=prev"/>
		<updated>2024-07-11T21:37:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:37, 11 July 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;The Jesus Lizard&#039;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was &lt;/del&gt;a noise rock band &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;who existed &lt;/del&gt;from [[1987]] until [[1999]].  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;They &lt;/del&gt;primarily recorded for [[Touch and Go]] Records.  They were very popular in the alternative rock underground in the 1990s.  Both Touch and Go boss [[Corey Rusk]] and producer [[Steve Albini]] have cited the Jesus Lizard as one of the greatest live bands they&#039;ve ever seen.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;The Jesus Lizard&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is &lt;/ins&gt;a noise rock band&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.  Their first run lasted &lt;/ins&gt;from [[1987]] until [[1999]].  &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The reunited for shows from [[2008]] to [[2010]] and then again in [[2017]].  During their first run, they &lt;/ins&gt;primarily recorded for [[Touch and Go]] Records &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;before making the jump to a major label&lt;/ins&gt;.  They were very popular in the alternative rock underground in the 1990s.  Both Touch and Go boss [[Corey Rusk]] and producer [[Steve Albini]] have cited the Jesus Lizard as one of the greatest live bands they&#039;ve ever seen.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Jesus Lizard was formed in Austin, Texas by guitarist Duane Denison, vocalist David Yow, and bassist David Wm. Sims.  Sims and Yow had previously been in the band Scratch Acid while Denison had performed with Cargo Cult.  Sims and Yow soon moved to Chicago when Sims joined [[Rapeman]], which featured [[Big Black]]&#039;s [[Steve Albini]] and former Scratch Acid drummer Rey Washam.  Denison soon joined Sims and Yow in Chicago.  Rapeman split in [[1989]] and the Jesus Lizard would release their first EP, &#039;&#039;&#039;[[Pure]]&#039;&#039;&#039;, on Touch and Go Records that same year.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Jesus Lizard was formed in Austin, Texas by guitarist Duane Denison, vocalist David Yow, and bassist David Wm. Sims.  Sims and Yow had previously been in the band Scratch Acid while Denison had performed with Cargo Cult.  Sims and Yow soon moved to Chicago when Sims joined [[Rapeman]], which featured [[Big Black]]&#039;s [[Steve Albini]] and former Scratch Acid drummer Rey Washam.  Denison soon joined Sims and Yow in Chicago.  Rapeman split in [[1989]] and the Jesus Lizard would release their first EP, &#039;&#039;&#039;[[Pure]]&#039;&#039;&#039;, on Touch and Go Records that same year.  &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The EP, recorded by Steve Albimi, feature Yow, Dennison, and Sims along with a drum machine.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the release of &#039;&#039;&#039;Pure&#039;&#039;&#039;, the band contacted Atlanta-based drummer Mac McNeilly (previously of the band 86) to join them &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(&#039;&#039;&#039;Pure&#039;&#039;&#039; had been completed with a drum machine)&lt;/del&gt;.  This line-up became the definitive Jesus Lizard line-up.  The band built a reputation for their intense live shows and ended up releasing four LPs and string of singles (including a split 7&quot; with Nirvana) for Touch and Go before signing a three album deal with Capitol Records in the mid &#039;90s.  Their deal with a major label caused a rift between the band and Steve Albini, who had, to that point, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;produced &lt;/del&gt;the bulk of the band&#039;s &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;recordings&lt;/del&gt;.  Their major label debut, [[1996]]&#039;s &#039;&#039;&#039;[[Shot]]&#039;&#039;&#039; received mixed reviews and was the last to feature Mac McNeilly, who decided to leave the band to spend more time with his family. McNeilly suggested Jim Kimball to be his replacement.  Kimball, at the time, was playing with Denison in their jazz project The Denison-Kimball Trio (actually a duo) and had previously been a member of the Michigan-based bands Laughing Hyenas and Mule, (both members of the Touch and Go/[[Quarterstick]] roster).  Kimball was featured &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;on what would ultimately be &lt;/del&gt;the band&#039;s &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;final record&lt;/del&gt;, &#039;&#039;&#039;[[Blue]]&#039;&#039;&#039;, which was released in [[1998]] and was produced by Andy Gill (of Gang of Four).  Kimball was fired &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;after the release &lt;/del&gt;for personal reasons (in interviews years after the fact, Yow frequently referred to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kimball &lt;/del&gt;as &quot;an asshole&quot;) and was replaced by Brendan Murphy.  Neither &#039;&#039;&#039;Shot&#039;&#039;&#039; nor &#039;&#039;&#039;Blue&#039;&#039;&#039; found large audiences and Capitol released the Jesus Lizard from their contract sometime in [[1999]].  The band called it quits shortly afterwards.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the release of &#039;&#039;&#039;Pure&#039;&#039;&#039;, the band contacted Atlanta-based drummer Mac McNeilly (previously of the band 86) to join them&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;.  This line-up became the definitive Jesus Lizard line-up.  The band built a reputation for their intense live shows and ended up releasing four LPs and string of singles (including a split 7&quot; with Nirvana) for Touch and Go before signing a three album deal with Capitol Records in the mid &#039;90s.  Their deal with a major label caused a rift between the band and Steve Albini, who had, to that point, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;recoreded &lt;/ins&gt;the bulk of the band&#039;s &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;releases&lt;/ins&gt;.  Their major label debut, [[1996]]&#039;s &#039;&#039;&#039;[[Shot]]&#039;&#039;&#039; received mixed reviews and was the last to feature Mac McNeilly, who decided to leave the band to spend more time with his family. McNeilly suggested Jim Kimball to be his replacement.  Kimball, at the time, was playing with Denison in their jazz project The Denison-Kimball Trio (actually a duo) and had previously been a member of the Michigan-based bands Laughing Hyenas and Mule, (both members of the Touch and Go/[[Quarterstick]] roster).  Kimball was featured the band&#039;s &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;next album&lt;/ins&gt;, &#039;&#039;&#039;[[Blue]]&#039;&#039;&#039;, which was released in [[1998]] and was produced by Andy Gill (of Gang of Four).  &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;After the release, &lt;/ins&gt;Kimball was fired for personal reasons (in interviews years after the fact, Yow frequently referred to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the drummer &lt;/ins&gt;as &quot;an asshole&quot;) and was replaced by Brendan Murphy.  Neither &#039;&#039;&#039;Shot&#039;&#039;&#039; nor &#039;&#039;&#039;Blue&#039;&#039;&#039; found large audiences and Capitol released the Jesus Lizard from their contract sometime in [[1999]].  The band called it quits shortly afterwards.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Following the split, the band members went their separate ways, relocating to different cities (Yow to Los Angeles and, later, Seattle, Sims to New York, Denison to Nashville) and different musical acts.  The most prominent, musically, was Duane Denison, who toured as guitarist for Hank Williams III and formed Tomahawk with Faith No More singer Mike Patton.  The Jesus Lizard turned down offers to reunite, including an appearance at Touch and Go Records&amp;#039; [[2006]] 25th Anniversary, citing the fact that they would not reunite without McNeilly, with whom the other members had apparently lost touch.  The situation was clearly rectified because by 2008 the band, including McNeilly, started playing a series of live shows.  This continued until 2010.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Following the split, the band members went their separate ways, relocating to different cities (Yow to Los Angeles and, later, Seattle, Sims to New York, Denison to Nashville) and different musical acts.  The most prominent, musically, was Duane Denison, who toured as guitarist for Hank Williams III and formed Tomahawk with Faith No More singer Mike Patton.  The Jesus Lizard turned down offers to reunite, including an appearance at Touch and Go Records&amp;#039; [[2006]] 25th Anniversary, citing the fact that they would not reunite without McNeilly, with whom the other members had apparently lost touch.  The situation was clearly rectified because by 2008 the band, including McNeilly, started playing a series of live shows.  This continued until 2010.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in 2017, the group reunited again, continuing to sporadically tour over the following years.  In 2024, the band announced that Ipecac Recordings (the label co-founded by Mike Patton and home of Tomahawk) would be releasing &#039;&#039;&#039;[[Rack]]&#039;&#039;&#039;, the first new Jesus Lizard studio album since 1998&#039;s &#039;&#039;&#039;Blue&#039;&#039;&#039;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Band Members==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Band Members==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  David Yow - Vocals (1987-1999, 2008-2010)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  David Yow - Vocals (1987-1999, 2008-2010&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, 2017-Present&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  Duane Denison - Guitar (1987-1999, 2008-2010)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  Duane Denison - Guitar (1987-1999, 2008-2010&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, 2017-Present&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  David Wm. Sims - Bass (1987-1999, 2008-2010)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  David Wm. Sims - Bass (1987-1999, 2008-2010&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, 2017-Present&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  Mac McNeilly - Drums (1989-1996, 2008-2010)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  Mac McNeilly - Drums (1989-1996, 2008-2010&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, 2017-Present&lt;/ins&gt;)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  Jim Kimball - Drums (1996-1998)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  Jim Kimball - Drums (1996-1998)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l62&quot;&gt;Line 62:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 64:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  &amp;#039;&amp;#039;&amp;#039;Club&amp;#039;&amp;#039;&amp;#039; live LP (Chunklet, 2011)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  &amp;#039;&amp;#039;&amp;#039;Club&amp;#039;&amp;#039;&amp;#039; live LP (Chunklet, 2011)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*  &#039;&#039;&#039;Rack&#039;&#039;&#039; LP (Ipecac Recordings, 2024)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== External links ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== External links ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l67&quot;&gt;Line 67:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 71:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://www.discogs.com/artist/282081-The-Jesus-Lizard Discogs page]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://www.discogs.com/artist/282081-The-Jesus-Lizard Discogs page]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://myspace.com/thejesuslizardpage MySpage profile]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://myspace.com/thejesuslizardpage MySpage profile]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [https://thejesuslizard.bandcamp.com/ The Jesus Lizard @ Bandcamp]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Bands|Jesus Lizard, The]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Bands|Jesus Lizard, The]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Facebook|Jesus Lizard, The]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Facebook|Jesus Lizard, The]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:MySpace|Jesus Lizard, The]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:MySpace|Jesus Lizard, The]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Patrick</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=7948&amp;oldid=prev</id>
		<title>Patrick: /* History */</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=7948&amp;oldid=prev"/>
		<updated>2016-08-18T13:34:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;History&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:34, 18 August 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Jesus Lizard was formed in Austin, Texas by guitarist Duane Denison, vocalist David Yow, and bassist David Wm. Sims.  Sims and Yow had previously been in the band Scratch Acid while Denison had performed with Cargo Cult.  Sims and Yow soon moved to Chicago when &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Wims &lt;/del&gt;joined [[Rapeman]], which featured [[Big Black]]&#039;s [[Steve Albini]] and former Scratch Acid drummer Rey Washam.  Denison soon joined Sims and Yow in Chicago.  Rapeman split in [[1989]] and the Jesus Lizard would release their first EP, &#039;&#039;&#039;[[Pure]]&#039;&#039;&#039; on Touch and Go Records that same year.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Jesus Lizard was formed in Austin, Texas by guitarist Duane Denison, vocalist David Yow, and bassist David Wm. Sims.  Sims and Yow had previously been in the band Scratch Acid while Denison had performed with Cargo Cult.  Sims and Yow soon moved to Chicago when &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sims &lt;/ins&gt;joined [[Rapeman]], which featured [[Big Black]]&#039;s [[Steve Albini]] and former Scratch Acid drummer Rey Washam.  Denison soon joined Sims and Yow in Chicago.  Rapeman split in [[1989]] and the Jesus Lizard would release their first EP, &#039;&#039;&#039;[[Pure]]&#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;on Touch and Go Records that same year.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the release of &#039;&#039;&#039;Pure&#039;&#039;&#039;, the band contacted Atlanta-based drummer Mac McNeilly (previously of the band 86) to join them (&#039;&#039;&#039;Pure&#039;&#039;&#039; had been completed with a drum machine).  This line-up became the definitive Jesus Lizard line-up.  The band built a reputation for their intense live shows and ended up releasing four LPs and string of singles (including a split 7&quot; with Nirvana) for Touch and Go before signing a three album deal with Capitol Records in the mid &#039;90s.  Their deal with a major label caused a rift between the band and Steve Albini, who had, to that point, produced the bulk of the band&#039;s recordings.  Their major label debut, [[1996]]&#039;s &#039;&#039;&#039;[[Shot]]&#039;&#039;&#039; received mixed reviews and was the last to feature Mac McNeilly, who decided to leave the band to spend more time with his family. McNeilly &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;suggest &lt;/del&gt;Jim Kimball to be his replacement.  Kimball, at the time, was playing with Denison in their jazz project The Denison-Kimball Trio (actually a duo) and had previously been a member of the Michigan bands Laughing Hyenas and Mule, (both members of the Touch and Go/[[Quarterstick]] roster).  Kimball was featured on what would ultimately be the band&#039;s final record, &#039;&#039;&#039;[[Blue]]&#039;&#039;&#039;, which was released in [[1998]] and was produced by Andy Gill (of Gang of Four).  Kimball was fired after the release for personal reasons (in interviews years after the fact, Yow frequently referred to Kimball as &quot;an asshole&quot;) and was replaced by Brendan Murphy.  Neither &#039;&#039;&#039;Shot&#039;&#039;&#039; nor &#039;&#039;&#039;Blue&#039;&#039;&#039; found large audiences and Capitol released the Jesus Lizard from their contract sometime in [[1999]].  The band called it quits shortly afterwards.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the release of &#039;&#039;&#039;Pure&#039;&#039;&#039;, the band contacted Atlanta-based drummer Mac McNeilly (previously of the band 86) to join them (&#039;&#039;&#039;Pure&#039;&#039;&#039; had been completed with a drum machine).  This line-up became the definitive Jesus Lizard line-up.  The band built a reputation for their intense live shows and ended up releasing four LPs and string of singles (including a split 7&quot; with Nirvana) for Touch and Go before signing a three album deal with Capitol Records in the mid &#039;90s.  Their deal with a major label caused a rift between the band and Steve Albini, who had, to that point, produced the bulk of the band&#039;s recordings.  Their major label debut, [[1996]]&#039;s &#039;&#039;&#039;[[Shot]]&#039;&#039;&#039; received mixed reviews and was the last to feature Mac McNeilly, who decided to leave the band to spend more time with his family. McNeilly &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;suggested &lt;/ins&gt;Jim Kimball to be his replacement.  Kimball, at the time, was playing with Denison in their jazz project The Denison-Kimball Trio (actually a duo) and had previously been a member of the Michigan&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-based &lt;/ins&gt;bands Laughing Hyenas and Mule, (both members of the Touch and Go/[[Quarterstick]] roster).  Kimball was featured on what would ultimately be the band&#039;s final record, &#039;&#039;&#039;[[Blue]]&#039;&#039;&#039;, which was released in [[1998]] and was produced by Andy Gill (of Gang of Four).  Kimball was fired after the release for personal reasons (in interviews years after the fact, Yow frequently referred to Kimball as &quot;an asshole&quot;) and was replaced by Brendan Murphy.  Neither &#039;&#039;&#039;Shot&#039;&#039;&#039; nor &#039;&#039;&#039;Blue&#039;&#039;&#039; found large audiences and Capitol released the Jesus Lizard from their contract sometime in [[1999]].  The band called it quits shortly afterwards.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Following the split, the band members went their separate ways, relocating to different cities (Yow to Los Angeles and, later, Seattle, Sims to New York, Denison to Nashville) and different musical acts.  The most prominent, musically, was Duane Denison, who toured as guitarist for Hank Williams III and formed Tomahawk with Faith No More singer Mike Patton.  The Jesus Lizard turned down offers to reunite, including an appearance at Touch and Go Records&#039; [[2006]] 25th Anniversary, citing the fact that they would not reunite without McNeilly, with whom the other members had apparently lost touch.  The situation was clearly rectified because by 2008 the band, including McNeilly, started playing a series of live shows.  This continued until 2010.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Following the split, the band members went their separate ways, relocating to different cities (Yow to Los Angeles and, later, Seattle, Sims to New York, Denison to Nashville) and different musical acts.  The most prominent, musically, was Duane Denison, who toured as guitarist for Hank Williams III and formed Tomahawk with Faith No More singer Mike Patton.  The Jesus Lizard turned down offers to reunite, including an appearance at Touch and Go Records&#039; [[2006]] 25th Anniversary, citing the fact that they would not reunite without McNeilly, with whom the other members had apparently lost touch.  The situation was clearly rectified because by 2008 the band, including McNeilly, started playing a series of live shows.  This continued until 2010.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Band Members==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Band Members==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Patrick</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=7885&amp;oldid=prev</id>
		<title>Patrick at 13:19, 17 August 2016</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=7885&amp;oldid=prev"/>
		<updated>2016-08-17T13:19:44Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:19, 17 August 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;The Jesus Lizard&#039;&#039;&#039; was a noise rock band who existed from [[1987]] until [[1999]].  They primarily recorded for [[Touch and Go]] Records.  They were very popular in the alternative rock underground in the 1990s.  Both Touch and Go boss [[Corey Rusk]] and producer [[Steve Albini]] have &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sited &lt;/del&gt;the Jesus Lizard as one of the greatest live bands they&#039;ve ever seen.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;The Jesus Lizard&#039;&#039;&#039; was a noise rock band who existed from [[1987]] until [[1999]].  They primarily recorded for [[Touch and Go]] Records.  They were very popular in the alternative rock underground in the 1990s.  Both Touch and Go boss [[Corey Rusk]] and producer [[Steve Albini]] have &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cited &lt;/ins&gt;the Jesus Lizard as one of the greatest live bands they&#039;ve ever seen.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Jesus Lizard was formed in Austin, Texas by guitarist Duane Denison, vocalist David Yow, and bassist David Wm. Sims.  Sims and Yow had previously been in the band Scratch Acid while Denison had performed with Cargo Cult.  Sims and Yow soon moved to Chicago when Wims joined [[Rapeman]], which featured [[Big Black]]&amp;#039;s [[Steve Albini]] and former Scratch Acid drummer Rey Washam.  Denison soon joined Sims and Yow in Chicago.  Rapeman split in [[1989]] and the Jesus Lizard would release their first EP, &amp;#039;&amp;#039;&amp;#039;[[Pure]]&amp;#039;&amp;#039;&amp;#039; on Touch and Go Records that same year.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Jesus Lizard was formed in Austin, Texas by guitarist Duane Denison, vocalist David Yow, and bassist David Wm. Sims.  Sims and Yow had previously been in the band Scratch Acid while Denison had performed with Cargo Cult.  Sims and Yow soon moved to Chicago when Wims joined [[Rapeman]], which featured [[Big Black]]&amp;#039;s [[Steve Albini]] and former Scratch Acid drummer Rey Washam.  Denison soon joined Sims and Yow in Chicago.  Rapeman split in [[1989]] and the Jesus Lizard would release their first EP, &amp;#039;&amp;#039;&amp;#039;[[Pure]]&amp;#039;&amp;#039;&amp;#039; on Touch and Go Records that same year.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the release of &#039;&#039;&#039;Pure&#039;&#039;&#039;, the band contacted Atlanta-based drummer Mac McNeilly (previously of the band 86) to join them (&#039;&#039;&#039;Pure&#039;&#039;&#039; had been completed with a drum machine).  This line-up became the definitive Jesus Lizard line-up.  The band built a reputation for their intense live shows and ended up releasing four LPs and string of singles (including a split 7&quot; with Nirvana) for Touch and Go before signing a three album deal with Capitol Records in the mid &#039;90s.  Their deal with a major label caused a rift between the band and Steve Albini, who had, to that point, produced the bulk of the band&#039;s recordings.  Their major label debut, [[1996]]&#039;s &#039;&#039;&#039;[[Shot]]&#039;&#039;&#039; received mixed reviews and was the last to feature Mac McNeilly, who decided to leave the band to spend more time with his family. McNeilly suggest Jim Kimball to be his replacement.  Kimball, at the time, was playing with Denison in their jazz project The Denison-Kimball Trio (actually a duo) and had previously been a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;members &lt;/del&gt;of the Michigan bands Laughing Hyenas and Mule, (both members of the Touch and Go/[[Quarterstick]] roster).  Kimball was featured on what would ultimately be the band&#039;s final record, &#039;&#039;&#039;[[Blue]]&#039;&#039;&#039;, which was released in 1998 and was produced by Andy Gill (of Gang of Four).  Kimball was fired after the release for personal reasons (in interviews years after the fact, Yow frequently referred to Kimball as &quot;an asshole&quot;) and was replaced by Brendan Murphy.  Neither &#039;&#039;&#039;Shot&#039;&#039;&#039; nor &#039;&#039;&#039;Blue&#039;&#039;&#039; found large audiences and Capitol released the Jesus Lizard from their contract sometime in 1999.  The band called it quits shortly afterwards.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the release of &#039;&#039;&#039;Pure&#039;&#039;&#039;, the band contacted Atlanta-based drummer Mac McNeilly (previously of the band 86) to join them (&#039;&#039;&#039;Pure&#039;&#039;&#039; had been completed with a drum machine).  This line-up became the definitive Jesus Lizard line-up.  The band built a reputation for their intense live shows and ended up releasing four LPs and string of singles (including a split 7&quot; with Nirvana) for Touch and Go before signing a three album deal with Capitol Records in the mid &#039;90s.  Their deal with a major label caused a rift between the band and Steve Albini, who had, to that point, produced the bulk of the band&#039;s recordings.  Their major label debut, [[1996]]&#039;s &#039;&#039;&#039;[[Shot]]&#039;&#039;&#039; received mixed reviews and was the last to feature Mac McNeilly, who decided to leave the band to spend more time with his family. McNeilly suggest Jim Kimball to be his replacement.  Kimball, at the time, was playing with Denison in their jazz project The Denison-Kimball Trio (actually a duo) and had previously been a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;member &lt;/ins&gt;of the Michigan bands Laughing Hyenas and Mule, (both members of the Touch and Go/[[Quarterstick]] roster).  Kimball was featured on what would ultimately be the band&#039;s final record, &#039;&#039;&#039;[[Blue]]&#039;&#039;&#039;, which was released in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;1998&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and was produced by Andy Gill (of Gang of Four).  Kimball was fired after the release for personal reasons (in interviews years after the fact, Yow frequently referred to Kimball as &quot;an asshole&quot;) and was replaced by Brendan Murphy.  Neither &#039;&#039;&#039;Shot&#039;&#039;&#039; nor &#039;&#039;&#039;Blue&#039;&#039;&#039; found large audiences and Capitol released the Jesus Lizard from their contract sometime in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;1999&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;.  The band called it quits shortly afterwards.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Following the split, the band members went their separate ways, relocating to different cities (Yow to Los Angeles and later, Seattle, Sims to New York, Denison to Nashville) and different musical acts.  The most prominent, musically, was Duane Denison, who toured as guitarist for Hank Williams III and formed Tomahawk with Faith No More singer Mike Patton.  The Jesus Lizard turned down offers to reunite, including an appearance at Touch and Go Records 2006 25th Anniversary, citing the fact that they would not reunite without McNeilly, with whom the other members had apparently lost touch.  The situation was clearly rectified because by 2008 the band, including McNeilly, started playing a series of live shows.  This continued until 2010.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Following the split, the band members went their separate ways, relocating to different cities (Yow to Los Angeles and&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;later, Seattle, Sims to New York, Denison to Nashville) and different musical acts.  The most prominent, musically, was Duane Denison, who toured as guitarist for Hank Williams III and formed Tomahawk with Faith No More singer Mike Patton.  The Jesus Lizard turned down offers to reunite, including an appearance at Touch and Go Records&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039; [[&lt;/ins&gt;2006&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;25th Anniversary, citing the fact that they would not reunite without McNeilly, with whom the other members had apparently lost touch.  The situation was clearly rectified because by 2008 the band, including McNeilly, started playing a series of live shows.  This continued until 2010.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Band Members==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Band Members==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Patrick</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=7870&amp;oldid=prev</id>
		<title>AnarchistiCookie: Added some links and categories</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=7870&amp;oldid=prev"/>
		<updated>2016-08-16T22:44:19Z</updated>

		<summary type="html">&lt;p&gt;Added some links and categories&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:44, 16 August 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;The Jesus Lizard&#039;&#039;&#039; was a noise rock band who existed from 1987 until 1999.  They primarily recorded for [[Touch and Go]] Records.  They were very popular in the alternative rock underground in the 1990s.  Both Touch and Go boss [[Corey Rusk]] and producer [[Steve Albini]] have sited the Jesus Lizard as one of the greatest live bands they&#039;ve ever seen.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;The Jesus Lizard&#039;&#039;&#039; was a noise rock band who existed from &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;1987&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;until &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;1999&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;.  They primarily recorded for [[Touch and Go]] Records.  They were very popular in the alternative rock underground in the 1990s.  Both Touch and Go boss [[Corey Rusk]] and producer [[Steve Albini]] have sited the Jesus Lizard as one of the greatest live bands they&#039;ve ever seen.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Jesus Lizard was formed in Austin, Texas by guitarist Duane Denison, vocalist David Yow, and bassist David Wm. Sims.  Sims and Yow had previously been in the band Scratch Acid while Denison had performed with Cargo Cult.  Sims and Yow soon moved to Chicago when Wims joined [[Rapeman]], which featured [[Big Black]]&#039;s [[Steve Albini]] and former Scratch Acid drummer Rey Washam.  Denison soon joined Sims and Yow in Chicago.  Rapeman split in 1989 and the Jesus Lizard would release their first EP, &#039;&#039;&#039;[[Pure]]&#039;&#039;&#039; on Touch and Go Records that same year.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Jesus Lizard was formed in Austin, Texas by guitarist Duane Denison, vocalist David Yow, and bassist David Wm. Sims.  Sims and Yow had previously been in the band Scratch Acid while Denison had performed with Cargo Cult.  Sims and Yow soon moved to Chicago when Wims joined [[Rapeman]], which featured [[Big Black]]&#039;s [[Steve Albini]] and former Scratch Acid drummer Rey Washam.  Denison soon joined Sims and Yow in Chicago.  Rapeman split in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;1989&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and the Jesus Lizard would release their first EP, &#039;&#039;&#039;[[Pure]]&#039;&#039;&#039; on Touch and Go Records that same year.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the release of &#039;&#039;&#039;Pure&#039;&#039;&#039;, the band contacted Atlanta-based drummer Mac McNeilly (previously of the band 86) to join them (&#039;&#039;&#039;Pure&#039;&#039;&#039; had been completed with a drum machine).  This line-up became the definitive Jesus Lizard line-up.  The band built a reputation for their intense live shows and ended up releasing four LPs and string of singles (including a split 7&quot; with Nirvana) for Touch and Go before signing a three album deal with Capitol Records in the mid &#039;90s.  Their deal with a major label caused a rift between the band and Steve Albini, who had, to that point, produced the bulk of the band&#039;s recordings.  Their major label debut, 1996&#039;s &#039;&#039;&#039;[[Shot]]&#039;&#039;&#039; received mixed reviews and was the last to feature Mac McNeilly, who decided to leave the band to spend more time with his family. McNeilly suggest Jim Kimball to be his replacement.  Kimball, at the time, was playing with Denison in their jazz project The Denison-Kimball Trio (actually a duo) and had previously been a members of the Michigan bands Laughing Hyenas and Mule, (both members of the Touch and Go/[[Quarterstick]] roster).  Kimball was featured on what would ultimately be the band&#039;s final record, &#039;&#039;&#039;[[Blue]]&#039;&#039;&#039;, which was released in 1998 and was produced by Andy Gill (of Gang of Four).  Kimball was fired after the release for personal reasons (in interviews years after the fact, Yow frequently referred to Kimball as &quot;an asshole&quot;) and was replaced by Brendan Murphy.  Neither &#039;&#039;&#039;Shot&#039;&#039;&#039; nor &#039;&#039;&#039;Blue&#039;&#039;&#039; found large audiences and Capitol released the Jesus Lizard from their contract sometime in 1999.  The band called it quits shortly afterwards.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the release of &#039;&#039;&#039;Pure&#039;&#039;&#039;, the band contacted Atlanta-based drummer Mac McNeilly (previously of the band 86) to join them (&#039;&#039;&#039;Pure&#039;&#039;&#039; had been completed with a drum machine).  This line-up became the definitive Jesus Lizard line-up.  The band built a reputation for their intense live shows and ended up releasing four LPs and string of singles (including a split 7&quot; with Nirvana) for Touch and Go before signing a three album deal with Capitol Records in the mid &#039;90s.  Their deal with a major label caused a rift between the band and Steve Albini, who had, to that point, produced the bulk of the band&#039;s recordings.  Their major label debut, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;1996&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&#039;s &#039;&#039;&#039;[[Shot]]&#039;&#039;&#039; received mixed reviews and was the last to feature Mac McNeilly, who decided to leave the band to spend more time with his family. McNeilly suggest Jim Kimball to be his replacement.  Kimball, at the time, was playing with Denison in their jazz project The Denison-Kimball Trio (actually a duo) and had previously been a members of the Michigan bands Laughing Hyenas and Mule, (both members of the Touch and Go/[[Quarterstick]] roster).  Kimball was featured on what would ultimately be the band&#039;s final record, &#039;&#039;&#039;[[Blue]]&#039;&#039;&#039;, which was released in 1998 and was produced by Andy Gill (of Gang of Four).  Kimball was fired after the release for personal reasons (in interviews years after the fact, Yow frequently referred to Kimball as &quot;an asshole&quot;) and was replaced by Brendan Murphy.  Neither &#039;&#039;&#039;Shot&#039;&#039;&#039; nor &#039;&#039;&#039;Blue&#039;&#039;&#039; found large audiences and Capitol released the Jesus Lizard from their contract sometime in 1999.  The band called it quits shortly afterwards.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Following the split, the band members went their separate ways, relocating to different cities (Yow to Los Angeles and later, Seattle, Sims to New York, Denison to Nashville) and different musical acts.  The most prominent, musically, was Duane Denison, who toured as guitarist for Hank Williams III and formed Tomahawk with Faith No More singer Mike Patton.  The Jesus Lizard turned down offers to reunite, including an appearance at Touch and Go Records 2006 25th Anniversary, citing the fact that they would not reunite without McNeilly, with whom the other members had apparently lost touch.  The situation was clearly rectified because by 2008 the band, including McNeilly, started playing a series of live shows.  This continued until 2010.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Following the split, the band members went their separate ways, relocating to different cities (Yow to Los Angeles and later, Seattle, Sims to New York, Denison to Nashville) and different musical acts.  The most prominent, musically, was Duane Denison, who toured as guitarist for Hank Williams III and formed Tomahawk with Faith No More singer Mike Patton.  The Jesus Lizard turned down offers to reunite, including an appearance at Touch and Go Records 2006 25th Anniversary, citing the fact that they would not reunite without McNeilly, with whom the other members had apparently lost touch.  The situation was clearly rectified because by 2008 the band, including McNeilly, started playing a series of live shows.  This continued until 2010.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l63&quot;&gt;Line 63:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 63:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  &amp;#039;&amp;#039;&amp;#039;Club&amp;#039;&amp;#039;&amp;#039; live LP (Chunklet, 2011)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*  &amp;#039;&amp;#039;&amp;#039;Club&amp;#039;&amp;#039;&amp;#039; live LP (Chunklet, 2011)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Bands]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== External links ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [https://www.facebook.com/thejesuslizardmusic/?fref=ts Facebook page]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [https://www.discogs.com/artist/282081-The-Jesus-Lizard Discogs page]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [https://myspace.com/thejesuslizardpage MySpage profile]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Bands&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Jesus Lizard, The]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Facebook|Jesus Lizard, The]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:MySpace|Jesus Lizard, The&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AnarchistiCookie</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=7846&amp;oldid=prev</id>
		<title>Patrick: Created page with &quot;&#039;&#039;&#039;The Jesus Lizard&#039;&#039;&#039; was a noise rock band who existed from 1987 until 1999.  They primarily recorded for Touch and Go Records.  They were very popular in the alternativ...&quot;</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=The_Jesus_Lizard&amp;diff=7846&amp;oldid=prev"/>
		<updated>2016-08-16T21:21:01Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;The Jesus Lizard&amp;#039;&amp;#039;&amp;#039; was a noise rock band who existed from 1987 until 1999.  They primarily recorded for &lt;a href=&quot;/wiki/Touch_and_Go&quot; title=&quot;Touch and Go&quot;&gt;Touch and Go&lt;/a&gt; Records.  They were very popular in the alternativ...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;The Jesus Lizard&amp;#039;&amp;#039;&amp;#039; was a noise rock band who existed from 1987 until 1999.  They primarily recorded for [[Touch and Go]] Records.  They were very popular in the alternative rock underground in the 1990s.  Both Touch and Go boss [[Corey Rusk]] and producer [[Steve Albini]] have sited the Jesus Lizard as one of the greatest live bands they&amp;#039;ve ever seen.  &lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
The Jesus Lizard was formed in Austin, Texas by guitarist Duane Denison, vocalist David Yow, and bassist David Wm. Sims.  Sims and Yow had previously been in the band Scratch Acid while Denison had performed with Cargo Cult.  Sims and Yow soon moved to Chicago when Wims joined [[Rapeman]], which featured [[Big Black]]&amp;#039;s [[Steve Albini]] and former Scratch Acid drummer Rey Washam.  Denison soon joined Sims and Yow in Chicago.  Rapeman split in 1989 and the Jesus Lizard would release their first EP, &amp;#039;&amp;#039;&amp;#039;[[Pure]]&amp;#039;&amp;#039;&amp;#039; on Touch and Go Records that same year.  &lt;br /&gt;
&lt;br /&gt;
After the release of &amp;#039;&amp;#039;&amp;#039;Pure&amp;#039;&amp;#039;&amp;#039;, the band contacted Atlanta-based drummer Mac McNeilly (previously of the band 86) to join them (&amp;#039;&amp;#039;&amp;#039;Pure&amp;#039;&amp;#039;&amp;#039; had been completed with a drum machine).  This line-up became the definitive Jesus Lizard line-up.  The band built a reputation for their intense live shows and ended up releasing four LPs and string of singles (including a split 7&amp;quot; with Nirvana) for Touch and Go before signing a three album deal with Capitol Records in the mid &amp;#039;90s.  Their deal with a major label caused a rift between the band and Steve Albini, who had, to that point, produced the bulk of the band&amp;#039;s recordings.  Their major label debut, 1996&amp;#039;s &amp;#039;&amp;#039;&amp;#039;[[Shot]]&amp;#039;&amp;#039;&amp;#039; received mixed reviews and was the last to feature Mac McNeilly, who decided to leave the band to spend more time with his family. McNeilly suggest Jim Kimball to be his replacement.  Kimball, at the time, was playing with Denison in their jazz project The Denison-Kimball Trio (actually a duo) and had previously been a members of the Michigan bands Laughing Hyenas and Mule, (both members of the Touch and Go/[[Quarterstick]] roster).  Kimball was featured on what would ultimately be the band&amp;#039;s final record, &amp;#039;&amp;#039;&amp;#039;[[Blue]]&amp;#039;&amp;#039;&amp;#039;, which was released in 1998 and was produced by Andy Gill (of Gang of Four).  Kimball was fired after the release for personal reasons (in interviews years after the fact, Yow frequently referred to Kimball as &amp;quot;an asshole&amp;quot;) and was replaced by Brendan Murphy.  Neither &amp;#039;&amp;#039;&amp;#039;Shot&amp;#039;&amp;#039;&amp;#039; nor &amp;#039;&amp;#039;&amp;#039;Blue&amp;#039;&amp;#039;&amp;#039; found large audiences and Capitol released the Jesus Lizard from their contract sometime in 1999.  The band called it quits shortly afterwards.&lt;br /&gt;
&lt;br /&gt;
Following the split, the band members went their separate ways, relocating to different cities (Yow to Los Angeles and later, Seattle, Sims to New York, Denison to Nashville) and different musical acts.  The most prominent, musically, was Duane Denison, who toured as guitarist for Hank Williams III and formed Tomahawk with Faith No More singer Mike Patton.  The Jesus Lizard turned down offers to reunite, including an appearance at Touch and Go Records 2006 25th Anniversary, citing the fact that they would not reunite without McNeilly, with whom the other members had apparently lost touch.  The situation was clearly rectified because by 2008 the band, including McNeilly, started playing a series of live shows.  This continued until 2010. &lt;br /&gt;
&lt;br /&gt;
==Band Members==&lt;br /&gt;
&lt;br /&gt;
*  David Yow - Vocals (1987-1999, 2008-2010)&lt;br /&gt;
&lt;br /&gt;
*  Duane Denison - Guitar (1987-1999, 2008-2010)&lt;br /&gt;
&lt;br /&gt;
*  David Wm. Sims - Bass (1987-1999, 2008-2010)&lt;br /&gt;
&lt;br /&gt;
*  Mac McNeilly - Drums (1989-1996, 2008-2010)&lt;br /&gt;
&lt;br /&gt;
*  Jim Kimball - Drums (1996-1998)&lt;br /&gt;
&lt;br /&gt;
*  Brendan Murphy - Drums (1998-1999)&lt;br /&gt;
&lt;br /&gt;
==Discography==&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;&amp;#039;Pure&amp;#039;&amp;#039;&amp;#039; EP ([[Touch and Go]], 1989)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;Chrome&amp;#039;&amp;#039; 7&amp;quot; (Touch and Go, 1989)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;&amp;#039;Head&amp;#039;&amp;#039;&amp;#039; LP (Touch and Go, 1990) - The CD version contains the &amp;#039;&amp;#039;&amp;#039;Pure&amp;#039;&amp;#039;&amp;#039; EP&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;Mouthbreather&amp;#039;&amp;#039; 7&amp;quot; (Touch and Go, 1990)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;&amp;#039;Goat&amp;#039;&amp;#039;&amp;#039; LP (Touch and Go, 1991)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;Wheelchair Epidemic&amp;#039;&amp;#039; 7&amp;quot; (Touch and Go, 1992)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;Gladiator&amp;#039;&amp;#039; 7&amp;quot; (Touch and Go, 1992)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;&amp;#039;Liar&amp;#039;&amp;#039;&amp;#039; LP (Touch and Go, 1992)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;&amp;#039;Lash&amp;#039;&amp;#039;&amp;#039; EP (Touch and Go, 1993)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;Puss/Oh, The Guilt&amp;#039;&amp;#039; split 7&amp;quot; with Nirvana (Touch and Go, 1993)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;&amp;#039;Down&amp;#039;&amp;#039;&amp;#039; LP (Touch and Go, 1994)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;(Fly) On (The Wall)&amp;#039;&amp;#039; 7&amp;quot; (Touch and Go, 1994)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;&amp;#039;Show&amp;#039;&amp;#039;&amp;#039; live LP (Collision Arts/Giant Records, 1994)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;&amp;#039;Shot&amp;#039;&amp;#039;&amp;#039; LP (Capitol Records, 1996)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;&amp;#039;The Jesus Lizard&amp;#039;&amp;#039;&amp;#039; EP (JetSet, 1998)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;&amp;#039;Blue&amp;#039;&amp;#039;&amp;#039; LP (Capitol Records, 1998)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;&amp;#039;Bang&amp;#039;&amp;#039;&amp;#039; CD (Touch and Go, 2000) - compilation of singles and EPs&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;&amp;#039;Inch&amp;#039;&amp;#039;&amp;#039; 9x7&amp;quot; (Touch and Go, 2009) - Record Store Day collection of the band&amp;#039;s Touch and Go 7&amp;quot;s and &amp;#039;&amp;#039;Lash&amp;#039;&amp;#039; EP (Nirvana&amp;#039;s song from their split is excluded)&lt;br /&gt;
&lt;br /&gt;
*  &amp;#039;&amp;#039;&amp;#039;Club&amp;#039;&amp;#039;&amp;#039; live LP (Chunklet, 2011)&lt;br /&gt;
&lt;br /&gt;
[[Category:Bands]]&lt;/div&gt;</summary>
		<author><name>Patrick</name></author>
	</entry>
</feed>