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	<id>https://punkdatabase.com/w/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Vincent+thompson</id>
	<title>ChicagoPunk - User contributions [en]</title>
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	<updated>2026-04-26T04:46:59Z</updated>
	<subtitle>User contributions</subtitle>
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		<id>https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=6565</id>
		<title>Violent Feedback</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=6565"/>
		<updated>2013-10-19T07:54:52Z</updated>

		<summary type="html">&lt;p&gt;Vincent thompson: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Hardcore noise outfit featuring pioneering death metal lyrics coupled with hardcore thrash and Link Wray riffing courtesy of Jeff Warble (Jeff Kerr). Songs include &amp;quot;John Gacy,&amp;quot; &amp;quot;Sharon Tate,&amp;quot; and also anthemic blasts like &amp;quot;1986.&amp;quot; Tom Papanicholas-Guitar Vince Thompson-guitar Christian Albrecht-guitar Babs Novak-Guitar John Malley-Guitar Eric Sladek-guitar Loren St.Clair-bass  Lou Plesha - Vocals, Jeff (Warble) Kerr - Guitar, drums - Peter Zervakis/Paul Jeschke. 1979 - ? Paul also picked up the bass when he was not doing a double drum set opposite Pete.&lt;br /&gt;
&lt;br /&gt;
Over a period of at least five years , a number of players were involved with the Violent Feedback project. The most standardized set was in the later period where Tom Papanicholas developed a song list and organized the recording of the cassette only release of &amp;quot;A Cure to Sanity&amp;quot;. Dean Hacker of the band SMOKE TAIL did the cover layout and Artwork, which featured a clandestine photo of an execution in an electric chair.Large parts of this release were recorded by Jack Hammond at Fatal &lt;br /&gt;
Beauty studios in Lombard Illinois in the early eighties.&lt;br /&gt;
 &lt;br /&gt;
A remixed version which included early material from the Zervakis basement studios was released in limit amounts by Tom in 1998. I would draw parallels to the Band PIGFACE who always featured different musicians on their albums and at their live shows.&lt;br /&gt;
 &lt;br /&gt;
There were three main performances by VF outside of the studio. Once at the Glen Ellyn &amp;quot;Battle of the Bands&amp;quot; and another gig played at the Cubby Bear Lounge across from Wrigley Field in Chicago.And a third chaotic set played at a private party in South Glen Ellyn. This was around the period of 1982-1983.Neither set was very good, due to the difficulties of mixing and balancing in an unfamiliar environment.Plus the band performed without a sound mixer, making the adjustment of sound levels very difficult and subject to the acoustics of the performance area.&lt;br /&gt;
 &lt;br /&gt;
Early jams were heavily influenced by Marijuana, alcohol (especially Jim Beam whiskey)and a prescription respiratory drug called MARAX. Musical influences included everything from Alice Cooper to English Oi bands. Killing Joke, The Lewd, Dead Kennedys &amp;quot;This is Boston Not LA&amp;quot; &amp;quot;Punk and Disorderly&amp;quot; Midwest Hardcore compilations such as &amp;quot;Lung Cookies&amp;quot; and &amp;quot;The Middle of America&amp;quot; Sex Gang Children, Ryuichi Sakamoto, Bauhaus, Joy Division and others.&lt;br /&gt;
 &lt;br /&gt;
The remaining members of Violent Feedback formed a new group around 1984 called &amp;quot;Scarred for Life&amp;quot; with Vince Thompson taking on guitar. They bought an old mixer for the first time from Babs and were heavily influenced by the California band &amp;quot;The adolescents&amp;quot; covering at least two of their songs. Several songs from this period just before the formation of &amp;quot;Scarred for Life&amp;quot; appear on the later expanded version of &amp;quot;A cure to Sanity&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
[[Category:Bands]]&lt;/div&gt;</summary>
		<author><name>Vincent thompson</name></author>
	</entry>
	<entry>
		<id>https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=6564</id>
		<title>Violent Feedback</title>
		<link rel="alternate" type="text/html" href="https://punkdatabase.com/w/index.php?title=Violent_Feedback&amp;diff=6564"/>
		<updated>2013-10-19T07:51:41Z</updated>

		<summary type="html">&lt;p&gt;Vincent thompson: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Hardcore noise outfit featuring pioneering death metal lyrics coupled with hardcore thrash and Link Wray riffing courtesy of Jeff Warble (Jeff Kerr). Songs include &amp;quot;John Gacy,&amp;quot; &amp;quot;Sharon Tate,&amp;quot; and also anthemic blasts like &amp;quot;1986.&amp;quot; Tom Papanicholas-Guitar Vince Thompson-guitar Christian Albrecht-guitar Babs Novak-Guitar John Malley-Guitar Eric Sladek-guitar Loren St.Clair-bass  Lou Plesha - Vocals, Jeff (Warble) Kerr - Guitar, drums - Peter Zervakis/Paul Jeschke. 1979 - ? Paul also picked up the bass when he was not doing a double drum set opposite Pete.&lt;br /&gt;
&lt;br /&gt;
Over a period of at least five years , a number of players were involved with the Violent Feedback project. The most standardized set was in the later period where Tom Papanicholas developed a song list and organized the recording of the cassette only release of &amp;quot;A Cure to Sanity&amp;quot;. Dean Hacker of the band SMOKE TAIL did the cover layout and Artwork, which featured a clandestine photo of an execution in an electric chair.Large parts of this release were recorded by Jack Hammond at Fatal &lt;br /&gt;
Beauty studios in Lombard Illinois in the early eighties.&lt;br /&gt;
 &lt;br /&gt;
A remixed version which included early material from the Zervakis basement studios was released in limit amounts by Tom in 1998. I would draw parallels to the Band PIGFACE who always featured different musicians on their albums and at their live shows.&lt;br /&gt;
 &lt;br /&gt;
There were three main performances by VF outside of the studio. Once at the Glen Ellyn &amp;quot;Battle of the Bands&amp;quot; and another gig played at the Cubby Bear Lounge across from Wrigley Field in Chicago.And a third chaotic set played at a private party in South Glen Ellyn. This was around the period of 1982-1983.Neither set was very good, due to the difficulties of mixing and balancing in an unfamiliar environment.Plus the band performed without a sound mixer, making the adjustment of sound levels very difficult and subject to the acoustics of the performance area.&lt;br /&gt;
 &lt;br /&gt;
Early jams were heavily influenced by Marijuana, alcohol (especially Jim Beam whiskey)and a prescription respiratory drug called MARAX. Musical influences included everything from Alice Cooper to English Oi bands. Killing Joke, The Lewd, Dead Kennedys &amp;quot;This is Boston Not LA&amp;quot; &amp;quot;Punk and Disorderly&amp;quot; Midwest Hardcore compilations such as &amp;quot;Lung Cookies&amp;quot; and &amp;quot;The Middle of America&amp;quot; Sex Gang Children, Ryuichi Sakamoto, Bauhaus, Joy Division and others.&lt;br /&gt;
 &lt;br /&gt;
The remaining members of Violent Feedback formed a new group around 1984 called &amp;quot;Scarred for Life&amp;quot; with Vince Thompson taking over vocals and lead guitar. They bought an old mixer for the first time from Babs and were heavily influenced by the California band &amp;quot;The adolescents&amp;quot; covering at least two of their songs. Several songs from this period just before the formation of &amp;quot;Scarred for Life&amp;quot; appear on the later expanded version of &amp;quot;A cure to Sanity&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
[[Category:Bands]]&lt;/div&gt;</summary>
		<author><name>Vincent thompson</name></author>
	</entry>
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